Some allow visitors to manipulate sound or streams of particles by gesture. Most are activated by the movements of digital visitors to the space. There are fourteen distinct “rooms” within the space all with different coded effects and potential interactions.
I see the Liminal Performance Space as yet another interactive performance installation space in the series I’ve been creating for many years. I’m also a frequent collaborator with dancers and other performance artists.
My history is as a performance artist and from that history springs my interest in creating spaces that viewers can interact with both digitally and by touch, movement, meals within the space etc. My work pre-Covid was in interactive sound and video installation. The intention is to use the restrictions of quarantine to open up and explore new ways of working together that cross boundaries of time, space and cultures. In some cases my collaborators and I have been separated by oceans and days of the week. Live video feeds via SKYPE allow collaborators prevented from meeting IRL to come together to create new work that pushes the boundaries of what remote spaces can be. Fernanda was a Beta tester for new units of code developed by Mark Coniglio at Troikatronix in Berlin, that permit Isadora users to input live video from SKYPE or other NDI based online meeting platforms. Liminal Performance Space is an arena for remote performance creation and exhibition created by video installation artist and creative coder Fernanda D’Agostino, using the coding platform Isadora.
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